You are taking on a job of painting a disruptive reflection the moment you paint rippling water with something in it. This imagery can be tricky. So, you better make your personal reference before you begin performing it.
You can use oils for this particular painting. Hence, the following are a few oil painting techniques. Do not miss this article or some posts about basic techniques of painting to get more tips and tricks regarding this matter.
Create a few references
You can utilize your palette, a toy and a mirror and then stir the water to have the ripples you want to achieve and then take a photo of it for you to work from. Moreover, you can leave your reference after you if you can for you to test and experiment with various water effects. When your reference is created, you are ready to start.
Begin with dark colors
As you base, begin with the darks of the water. Once you are working in oils, you work from dark to light most of the time anyway, so this is a basic way of doing it. You can also experiment with working on your transparent and thin hues. Your transparent colors will be Ultramarine, Phthalo Blue, Alizarin Crimson, Indian Yellow, Viridian, Oxides (brown, yellow, orange, red), and many to mention.
Usually, a reflection ought to be darker compared to the object being reflected. The object’s shadows will likely have some similar reflection but will typically make what is underneath the visible water. Also, usually, the values are darker. In this stage, you can have fun and try different mixes of all saturated and dark colors. Then, allow this to dry. If you are working on plain air, you have to work thin.
Incorporate the light colors
The moment you begin on the light color, the mirror of the sky, it is great to premix the gradient. It can make selecting which the perfect colors are much easier. If there are parts with contrasting details, you can select one to focus on and think about painting back into the sky refection through utilizing shadow colors. In order to make the ripples in the painting, it is much simpler to paint the reflected sky’s gradient over most of the part and then paint the darks once more.